Tag: mq

Uno, Dois, Drei… NO NO NO (Display) Finissage

In Isabella Kohlhuber’s installation at Artistic Bokeh the black glass window becomes a changeable interface. The artist applies interactive devices to reveal the threshold of function and dysfunction in the languages of humans and machines. Kohlhuber uses adhesive foil fixed on the window, displaying letter-forms as permanent disposable tools. Motion sensors cause viewers involuntarily to activate or deactivate its visibility. The message thereby occasionally withdraws from perceptibility.

NO NO NO (display) opens a conceptual gap between the showroom’s window and its minimal content, while gently swapping between elements of negation (“no”) and activation (“on”). Does the artist intend to play off today’s necessity of an affirmative, pleasing language against an inner silent resistance? And does repetition, as given in the title, make a gesture of refusal stronger? Roughly, one would answer: “it depends on the context” (e.g. “no means no”, the feminist slogan against sexual violence, which points out the difficulty in understanding whether an expression is intended to mean “no”). While trying to decontextualize the artist asks “can there ever be no context?”

Exhibition: 8th October – 10th November

Finissage: 10th November 19:00

The exhibition is part of the program UNO, DOIS, DREI… AN EXHIBITION IN THREE INSTALLMENTS a Mz* Baltazar’s Lab curatorial project in collaboration with Artistic Bokeh in MuseumsQuartier. For this exhibition series Patricia J. Reis and Anna T. have invited artists focusing on language in a multitude of ways. Being based in a place that has been so divided in the context of immense sociopolitical changes, while becoming more multi-cultural, the curators wanted to look into language as a technology of communicating, connecting, and coming together. The exhibition series examines the visual language of colonialism (and who or what becomes illegal), the human and machine language and its threshold of function and dysfunction, and the embodied language of a queer migrant body that opens up and connects with other bodies and spirits alike. Mz* Baltazar’s curatorial viewpoint brings together artists from different media and backgrounds that speak to the diversity of the creative hub that is Vienna. Mz* Baltazar’s Labfurther aims at highlighting the lengthy process of artistic practice as research in the framework of social and political themes, such as migration, Eurocentrism, cyborgs, queerness, and the overarching theme of language. We are happy to present Mariel Rodríguez, Isabella Kohlhuber, and Pêdra Costa in a series of exhibitions running from August to December 2016 at the space of Artistic Bokeh in the MQ’s Electric Avenue.

uno, dois, drei… – Flowers of Evil, Mariel Rodríguez – Artist Talk / Finissage

Mz* Baltazar’s Lab would like to welcome you to the artist talk and finissage of Mariel Rodríguez’s “Flowers of Evil” show in Artistic Bokeh (MQ) Friday September 30th at 18:00.

The installation composed of ready-mades, constructed materials, and videos is part of the artist’s ongoing project focusing on the language f colonialism, the aesthetics of the museum, and the aftermath of cultural appropriation.

It traces the encounter of a millenary sacred plant with occidental science and its outcome as a sort of a botanical Frankenstein, so desired and praised as feared and persecuted. The installation proposes to rethink the history of cocaine, as an illegal recreational drug and a western construct, to shed light on the effects of imperialism on our relationship to nature.

During the finissage Mariel will present a new video, and artist, audience, and curators will join in the conversation of language, otherness, and creativity as a response to oppressive politics. Join us for drinks, nibbles, and a chat, and share the experience with us.

 

About the Exhibition Series

Mz* Baltazar’s Lab is proud to present this new curatorial project, a series of exhibitions in collaboration with Artistic Bokeh in MuseumsQuartier. For this exhibition series Patricia J. Reis and Anna T. have invited artists focusing on language in a multitude of ways. Being based in a place that has been so divided in the context of immense sociopolitical changes, while becoming more multi-cultural, the curators wanted to look into language as a technology of communicating, connecting, and coming together. The exhibition series examines the visual language of colonialism (and who or what becomes illegal), the human and machine language and its threshold of function and dysfunction, and the embodied language of a queer migrant body that opens up and connects with other bodies and spirits alike. Our curatorial viewpoint brings together artists from different media and backgrounds that speak to the diversity of the creative hub that is Vienna. We further aim at highlighting the lengthy process of artistic practice as research in the framework of social and political themes, such as migration, Eurocentrism, cyborgs, queerness, and the overarching theme of language. We are happy to present Mariel Rodríguez, Isabella Kohlhuber, and Pêdra Costa in a series of exhibitions running from August to December 2016 at the space of Artistic Bokeh who offered us this opportunity to collaborate and showcase Mz* Baltazar’s work in the MQ’s Electric Avenue.

This work is funded and supported by kültüř gemma! 2016, and its presentation made possible by Mz Baltazar’s Laboratory and Artistic Bokeh.

 

 

 

uno, dois, drei… an exhibition in three installments – Flowers of Evil

Mz* Baltazar’s Lab is proud to present the new curatorial project, a series of exhibitions in collaboration with Artistic Bokeh in MuseumsQuartier. For this exhibition series Patricia J. Reis and Anna T. have invited artists focusing on language in a multitude of ways. Being based in a place that has been so divided in the context of immense sociopolitical changes, while becoming more multi-cultural, the curators wanted to look into language as a technology of communicating, connecting, and coming together. The exhibition series examines the visual language of colonialism (and who or what becomes illegal), the human and machine language and its threshold of function and dysfunction, and the embodied language of a queer migrant body that opens up and connects with other bodies and spirits alike. Our curatorial viewpoint brings together artists from different media and backgrounds that speak to the diversity of the creative hub that is Vienna. We further aim at highlighting the lengthy process of artistic practice as research in the framework of social and political themes, such as migration, Eurocentrism, cyborgs, queerness, and the overarching theme of language. We are happy to present Mariel Rodríguez, Isabella Kohlhuber, and Pêdra Costa in a series of exhibitions running from August to December 2016 at the space of Artistic Bokeh who offered us this opportunity to collaborate and showcase Mz* Baltazar’s work in the MQ’s Electric Avenue.

Part 1 – Mariel Rodríguez – Flowers of Evil

On April 1857 the Novara, a navy ship of the Austrian Empire, departed from Trieste into a world wide expedition ordered by Maximilian von Habsburg. In 1859, The Novara returned to European soil, bringing back a vast collection of botanical, zoological and mineral samples. Between the botanical import there were 30 KG of coca leaves, brought directly form the Andean Region into the German Chemistry Laboratories of the University of Göttingen…

FLOWERS OF EVIL presents an ongoing artistic research about the coca plant and its journey(s) to Europe. It traces the encounter of a millenary sacred plant with occidental science and its outcome as a sort of a botanical Frankenstein, so desired and praised as feared and persecuted. The installation proposes to rethink the history of cocaine, as an illegal recreational drug and a western construct, to shed light on the effects of imperialism on our relationship to nature.

Evoking the tradition of the cabinet of curiosities and the vitrines in historical exhibitions, the installation seeks to raise questions about representation in the construction of historical narratives and the role of museums in such a process. Project funded by kültüř gemma!

NOVEMBER PROGRAMM




Miss Baltazar kommt nun in 3 unterschiedlichen Formaten:


Als Workshop

(Jeden zweiten Mittwoch hands-on Wissensaustausch, praktisch, technisch, kreativ, feministisch)

Alternierend dazu das Open Lab

(unabhängigeres Experimentieren um Inhalte oder Techniken des Workshops der letzten Woche zu vertiefen, Hackerspace Situation)

Als Reading Group

(Diskussion und Auseinandersetzung mit Themen, die uns durch die Workshops relevant erscheinen)

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ALL EVENTS TAKE PLACE IN OUR NEW SPACE ON ELECTRIC AVENUE, MQ

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November 4th, Friday. 17.00-20.00

Claudia Mongini und Katharina Jesberger

Miss Baltazar’s Reading Group. Open to all Genders.

Book: Arjun Appadurai. Modernity at Large: Cultural Dimensions of Globalization.

November 9th, Wednesday. 19.00-22.00

“An extreme situation, extremely surpassed: being woman in the Republic of Congo”.

Miss Baltazar’s Laboratory

Workshop by Miss Universe

The workshop will focus on the production circle of mobile phones. It will be a journey to the Congo and women’s experiences of violence during Congo’s civil war. We will talk about how civil war in Congo is related to our capitalist system and the production of mobile phones. Participants will have the opportunity to take a new look at their bodies, society, the capitalist system and to ways of using art as means of activism.

www.missuniverseforever.com

November 16th, Wednesday. 19.00

“An extreme situation, extremely surpassed: being woman in the Republic of Congo”.

Miss Baltazar Open Lab curated by Miss Universe

In Open Lab sessions we experiment with the technology we played with in the previous week’s workshop. It gives room discuss questions that came up and demand further investigation. In this Open Lab session, we will expand on the issues Miss Universe introduced in the workshop on women in the Congo. The participants can share their thoughts or related projects, tell about their own lives and backgrounds.

www.missuniverseforever.com

Bio of Miss Universe:

In 2008, she attended the beauty contest held in Supper Club Istanbul and was nominated “Miss Universe”. After this contest, her life changed and represented her country in other beauty contests, each time being nominated as “Miss Universe”. She appears as a figure who reaches broad audiences through joyful presentations, combining contemporary performance elements of action, text and music, with pop-culture, references to classical art history, using choirs, children songs, fashion and show business elements. The content of the performances emphasize specifically on human rights, politics, gender issues, domestic violence and history of art.

November 23rd, Wednesday. 19.00

“The Beauty of Distortion”

Miss Baltazar’s Laboratory

Workshop by Christine Schörkhuber

In this workshop we will create visuals by causing distortions on screens. We explore possibilities to generate Live Visuals without using any software. We work with Interference signals, Videofeedback, selfbuilt – faders, open wires and everything that comes along the way to create beautiful weird and abstract video landscapes.No technical experience required.

http://www.chschoe.net/

November 30th, Wednesday. 19.00

“The Beauty of Distortion”

Miss Baltazar Open Lab curated by Christine Schörkhuber

In Open Lab sessions we experiment with the technology we played with in the previous week’s workshop. In Christine Schörkhuber’s Open Lab we will continue to generate visuals through distortion of screens.

Bio of Christine Schörkhuber:

Geboren 1982, an der Akademie der bildenden Künste bei Franz Graf und Dorit Margreiter (Video/Videoinstallation). Als freischaffende Künstlerin, Medienkomponistin und Filmemacherin tätig.
Im Vorstand der IG Kultur Österreich, redaktionelle Tätigkeit Radiosendung „Bewegungsmelder Kultur“.