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Cultural studies scholars have addressed the systemic underrepresentation of women* in the art field. This results in an impoverished, male dominated art historical canon. If art collections and exhibitions play a significant role in nation-building projects, should we not question whether there is a gender imbalance in the construction of national identity through art and culture? “Strategies of Visibilization” presents all of the artists taking part in mumok’s exhibition program between 1998 and 2018, and compares the proportions of participation…